What’s important was that it was the first feature film I had written that, at that moment in time, I could even plausibly make. The scene itself is something beautiful, poetic, and a perfect ending to the film. I sit in my dorm freshman year feverishly typing away at my computer, putting the finishing touches on the second feature film I had ever written. Here's a demonstration of how all of these tools work together in the easy-to-use Color Finale interface:Īnd here's a quick tutorial for how you can use Color Finale to grade an entire sequence from start to finish in less than five minutes:
#COLORFINALE BASIC TUTORIAL SKIN#
With the vector tool, it's insanely easy to make your skies more vibrant and blue, change the color of a building, or just sweeten up your skin tones. Not only do you get traditional color tools like 3-way color wheels and RGB curves, but Color Finale also comes with a simple LUT application tool and a powerful six-channel vector grading tool that allows you to make subtle or drastic changes to any one of six primary chrominance values. The tools inside of Color Finale are many of the same ones that you'd find in higher-end color suites. Just in case you missed the Color Finale launch film/sizzle reel, it's definitely worth another look: For a limited time, you can get 25% off Color Finale, the popular and potent plugin that brings professional grading features directly to your FCPX timeline. In honor of NAB, our friends over at Color Grading Central, who were just featured by Apple for their powerful new plugin, have a special gift for readers of this site.
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